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Always Win - even when all your characters die PreferenceLoader (from Cydia, Sileo or Zebra). Cydia Substrate, Substitute or libhooker depending on your jailbreak. iGameGod / Filza / iMazing / or any other file managers for iOS. Ernest said that Sumser brought them the sample, and the writers immediately started vibing on its throwback sound.Modded/Hacked App: Rivengard By Snowprint Studios ABīundle ID: 1 crossover hit “Nobody” by Sylvia, which came out in 1982.Ĭo-written with Hunt and country singer-songwriter Ernest, BRELAND raps about small town characters with tongue-in-cheek lyrics over a beat built over the distinctive ’80s sounding “Nobody” melody. In a homage to Shania Twain, BRELAND’s “Natural” mimics the distinctive guitar riffs from “Man! I Feel Like a Woman,” while the song “County Line” uses the jingly keyboard from the No.

Together with his producers Sam Sumser and Sean Snell, BRELAND also reinterprets samples and interpolations of older country songs to bridge his music to country’s past, most notably songs by female artists. His album has even more features with other artists: a country trap song anchored by Urban’s banjo and vocals, a poppy duet with Ingrid Andress, a slow jam drinking song with country group Lady A and the title track with Mickey Guyton. If I’m on a more hip hop-leaning song, I might be the country element.” “I think musically I bring so many different sounds and possibilities on a record that if I’m on a more country-leaning song, I might be the hip-hop element as a feature. I just want to try to make the best song possible,” said BRELAND. “When I’m in those types of rooms, I’m not really worried about what the outcome is going to be. Those collabs also led to his first CMA nomination for musical event of the year on the Bentley No. 1.” Since then, BRELAND has been hopping from one collaboration to the next. He got early support from Urban, a similarly minded country artist who brought him into the studio to work on tracks for Urban’s 2020 record “Speed of Now, Pt. But his goal has always been to be a singer, and after seeing positive reaction on social media to a demo for “My Truck,” he took the leap. After singing in a cappella in college, BRELAND moved to Atlanta to write songs for other artists. His parents met in a gospel choir and they have continued their musical ministry. The Georgetown University grad grew up in a very musical family, which he jokingly referred to as the Von Trapps. It’s one of the only things that we have that really brings people together.” And music is one of the unifiers that we have. “They pop up everywhere, whether it’s political or not, people don’t really agree on a lot. “We live in a world where there are a lot of different divisions,” said BRELAND. With each co-writing session, he’s building on his brand of a more fluid and inclusive genre. He’s had songs with Keith Urban, Sam Hunt, Thomas Rhett, Jimmie Allen, Dierks Bentley, Tennille Townes, Lauren Alaina and Chase Rice, just to name a few. Since his breakout viral hit, “My Truck,” landed in 2019, BRELAND has quickly immersed himself in Nashville’s songwriting rooms, taking over as the king of country collabs.

“But when you zoom out from that definition a little bit, and in practice, in reality, cross country is a movement.” “I’ve gone on and on about cross country being the intersection of country and all these other genres,” said the 27-year-old New Jersey native. BRELAND’s debut full-length album “Cross Country” builds on that history, interpolating and sampling older songs and bringing in his background in gospel, R&B and hip-hop under the expansive umbrella of country music. (AP) - Country music as a genre has always been a melting pot of influences and cultures, often shifting and morphing to reflect popular sounds and trends.

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